671 Royalty-Free Audio Tracks for "Louis Van Esch"

Ludwig van Beethoven - Concerto for Piano and Orchestra no. 4 in G major - 3. Rondo (Wilhelm Kempff, Ferdinand Leitner, Berliner Philharmoniker, 1962)

Beethoven Piano Sonata Op 27 No. 2, first movement opening bars

Nun ist sie da, die rechte Zeit, Gotteslob (2013) 638

St. Louis Blues March performed by the Shades of Blue jazz ensemble of the United States Air Force Band of Mid-America. Track 5 from Heroes Lost And Fallen (1997). Recorded January 28-31, 1997 at the Scottish Rite Cathedral, St. Louis, Missouri. Major Sam Pohl, conducting.[1][2][3][4][5]

Cadenza from Beethoven's Concerto in C minor, piano part.

Example of the submediant ("triad on VI") used as a dominant preparation.

Anfang des zweiten Satzes aus Beethovens Opus 109

Geluidsfragment, Passion, Erik van der Luijt, piano, bron: Erik van der Luijt, www.erikvanderluijt.com

Label: His Master's Voice Cat. no.: DB 10083 Order number: OZA 12665 Matrix/StamperID: OZA1265-1 1st release date: 1945? 1st recording date: 1945? Place of recording: Switzerland Author(s)/Composer(s): Ludwig van Beethoven (1770-1827) Performer(s): Suzanne Gyr, Piano (1899-1974) Vocal range: Instrumental Title/Work: Piano sonata No. 23 in F minor, Op. 57 'Appassionata' Content: Allegro ma non troppo (Part 1) Genre(s): Piano sonata

Title/Work: Sonata No.18 in E-flat major Opus 31 No.3 Content: No.4: 2nd Movement (Conclusion) - Scherzo (Allegro vivace) Genre(s): Piano sonata Author(s)/(Composer(s): Ludwig van Beethoven (1770-1827) Music arranger(s): none Lyricist(s): none Performer(s): Pianoforte solo: Claudio Arrau (1903-1991) Conductor: none Place of recording: London, EMI Studio No. 3, Abbey Road 1st release date: 1947 1st recording date: 10 January 1947

Title/Work: Sonata No.18 in E-flat major Opus 31 No.3 Content: No.3: 2nd Movement (1st part) - Scherzo (Allegro vivace) Genre(s): Piano sonata Author(s)/(Composer(s): Ludwig van Beethoven (1770-1827) Music arranger(s): none Lyricist(s): none Performer(s): Pianoforte solo: Claudio Arrau (1903-1991) Conductor: none Place of recording: London, EMI Studio No. 3, Abbey Road 1st release date: 1947 1st recording date: 10 January 1947

Beethoven Piano Sonata Op 22, 2nd movement, bars 30-32

Op. 109, bars 1-4.

Fifth Symphony, opening, known as the "fate" motif.

Consecutive perfect authentic cadences in Beethoven's Piano Sonata, Op. 13.

The opening of Vth of Beethoven's Seven Variations on "God Save the King" WoO 78 (1804) introduces Alberti bass patterns.

Op. 109, bars 1-4.

Syncopation (sfz) in Beethoven's String Quartet in A Major, Op. 18, no. 5, III, variation I, m. 7-8. Created by Hyacinth (talk) 19:26, 12 March 2011 (UTC) using Sibelius 5. For comparison: File:Beethoven - String Quartet in A Major, m. 7-8 without syncopation.mid

Typical example of horn fifths from the finale of Beethoven's 9th Symphony

Grosse Fuge Opus 133 by Ludwig von Beethoven, recorded by the Lener Quartet in 1919. First published recording of this piece. Jenö Léner (or Lehner), first violin, Joszef Smilovits second violin, Sándor Roth viola and Imre Hartmann cello. Recorded on the Columbia label (in 78 RPM format).

Nederlands: Ludwig van Beethoven: Für Elise, Bagatelle nr. 25 WoO 59 (overgetikt) PD aangezien componist meer dan 70 dood is

Typical example of horn fifths from the finale of Beethoven's 9th Symphony

Ludwig van Beethoven: Bagatelle in A minor ("Für Elise"), WoO 59

The opening of Beethoven's Opus 10/1 for comparison with the opening of Dussek's Sonata Opus 39/3.

Nederlands: De oudste bekende opname van de Internationale uit 1925, vertaald door Henriette Roland Holst. The oldest known recording of the Internationale in Dutch, from 1925. Translated bij Henriette Roland Holst.

A section of Ludwig van Beethoven's Symphony No. 9 in D minor, Op. 125 "Choral"

1st release date: 1937 1st recording date: 1943 Place of recording: London, United Kingdom Author(s)/Composer(s): Ludwig van Beethoven (1770-1827) Lyricist(s): none Conductor: Arturo Toscanini (1867-1957) Performer(s): BBC Symphony Orchestra Vocal range: instrumental Title/Work: Symphony No. 6 in F major, Op. 68 (Beethoven) Content: 1st Movement (Awakening of serene Impressions upon arriving in the Country): Allegro ma non troppo (Conclusion) Genre(s): Symphonic

Label: Decca Records Cat. no.: K 1129 Order number: AR 8997 Matrix/StamperID: AR 8997-2 1st release date: June 1945 1st recording date: 2 January 1945 Place of recording: Kingsway Hall, London (United Kingdom) (printed on record) Author(s)/Composer(s): Ludwig van Beethoven (1770-1827) Lyricist(s): none Music arranger(s): none Conductor: Malcolm Sargent (1895-1967) Performer(s): National Symphony Orchestra of London Vocal range: instrumental Title/Work: Symphony No. 5 in C minor, Op. 67 Content: 4th Movement: Allegro (Conclusion) Genre(s): Symphony Comments: -

Label: Decca Records Cat. no.: K 1128 Order number: AR 8995 Matrix/StamperID: AR 8995-2 1st release date: June 1945 1st recording date: 2 January 1945 Place of recording: Kingsway Hall, London (United Kingdom) (printed on record) Author(s)/Composer(s): Ludwig van Beethoven (1770-1827) Lyricist(s): none Music arranger(s): none Conductor: Malcolm Sargent (1895-1967) Performer(s): National Symphony Orchestra of London Vocal range: instrumental Title/Work: Symphony No. 5 in C minor, Op. 67 Content: 3rd Movement: Allegro (Conclusion) / 4th Movement: Allegro Genre(s): Symphony Comments: -

Motivic repetition in Beethoven's (1770–1827) Sonata in F major, op. 10, no. 2.

Beethoven, 9e symphonie, 2me mouvement, partie B au tempo 116

Beethoven, 9e symphonie, 2me mouvement, partie B au tempo 88

Period (two phrases) from Beethoven's Piano Sonata in C Minor, Op. 13 (Pathetique), second movement.

01 Horenstein 9. Beethoven Pantheon XP 2250 - (Beethoven, Symphony No. 9 - 1. Satz)

Symphony No. 9, finale bars 208-215

B jak Ludwig van Beethoven - adycja z cyklu Leksykon kompozytorów muzyki klasycznej w WikiRadiu.

The opening bars of the scherzo from Beethoven's ninth symphony

Beethoven, 9e symphonie, 2me mouvement, partie B au tempo 100

03 Horenstein 9. Beethoven Pantheon XP 2250 - (Beethoven, Symphony No. 9 - 3. Satz)

Symphony No. 9, finale opening bars

02 Horenstein 9. Beethoven Pantheon XP 2250 - (Beethoven, Symphony No. 9 - 2. Satz)

Symphony No. 9, Movement 3, Op. 125

Symphony No. 9, Movement 2, Op. 125

Symphony No. 9, movement 1, Op. 125

Instrumental version of "Hymne Monégasque" performed by the United States Navy Band

Minuet WoO 10, No. 2, commonly known as Minuet in G Major

Dominant seventh in Beethoven's Fifth Symphony, last movement.

Secondary dominants in Beethoven's Symphony No. 1, introduction.

Beethoven: Piano Concerto No. 4, slow movement

The former national anthem of South Africa, used from 1938 to 1997, notably during the apartheid era.